COURSE CONTENTS
I. YEAR
(HEY 103) Sculpture I (Asist. Prof. Oktay Å?AHİNLER, Asist. Prof. Oktay Å?AHİNLER, Asist. Prof . Arzu ATIL, Asist. Prof. Gökçen ERGÜR)
The bases of the medium are introduced by working on clay with natural and artificial objects studies.
(HEY 104) Sculpture II (Yrd. Doç. Oktay Å?AHİNLER, Yrd. Doç. Arzu ATIL, Yrd. Doç Gökçen ERGÜR)
The fundamentals of the medium are introduced by working on clay with animate and inanimate models, portrait studying their genre and styles.
(TEM 109) Anatomy in Art I (Asist. Prof. Sevgi AVCI)
The anotomical structure of human body is analyzed by studying on models and focusing on the pre – devoloped knowledge of muscles and bones.
(TEM 110) Anatomy in Art II (Asist. Prof. Sevgi AVCI)
The anotomical structure of human body is analyzed by studying on models and focusing on the pre – devoloped knowledge of muscles and bones. The visual accumulation is used to create art forms via taking elements such as scratch, light and colour.
(HEY 107) Techniques of Mold (Asist. Prof. Arzu ATIL)
The tecniques of direct and indirect casting methods are shown by practices beside the theoretic knowledge of conventional and contemporary elements.
(HEY 105) Color- Form - Composition I (Asist. Prof. Sevgi AVCI)
The knowledge of colour and the relation of colour and form is discussed by compositions in two or three dimensional studies.
(HEY 106) Color - Form - Composition II (Asist. Prof. Sevgi AVCI)
The knowledge is given about interaction of colours and examples relation with visual effect of colour exeminated. Various practice is made.
(TBT 101) Tecnology of Basic Knowledge (Lecturer Zafer AYTEKİN)
Introduction to Information Technology; Information Age and Information Society; Information Systems; Concept of Algorithm; Basics of Algorithm; Computer Organization; Operating Systems: Definition, Functions and types of operating systems; Computer Software; Application Software: Word-processing software, Reports and spreadsheet software, Software for drawing, Presentation software; Database Concepts: Definition and types of databases; Data Communications and Computer Networks; Using E-mail, FTP, Internet and www; Use of Internet; Seeking Information; Accessing Information.
(TEM 111. 2) Basic Photography (Asist. Prof. Mehmet KOÅ?TUMOÄ?LU)
Photography which means writing with light is a whole with its design and presentation as light forms the main element together with composition and material. Facilities of dark room and studio are thought within the course. All equipment of digital and conventional photography are thought practically. Basic composition and esthetical rules that should be taken into consideration while a meaningful surface are being formed through photographic techniques. Camera and lenses, filters, apparatus. Light in photography and its use, photography techniques: Nature, landscape, portrait, human, action, selection of project topic and preparation of plan of photographing, photographing and evaluation
(TEM 115. 6) General History of Art I (Asist. Prof. Dr. Eser GÜLTEKİN)
The purpose is to study and compare Anatolian, Aegean, Hellenic, Roman and Early Christian, as well as prehistorical and proto Asian civilizations in such away to relate them to one another both in architecture, sculpture and painting, and in their ages.
II. YEAR
(HEY 205) Sculpture III (Asist. Prof. Arzu ATIL)
The problematics of creating forms in sculpture is analyzed with studies of conventional and contemporary tecniques by reproductions, works through animate models.
(HEY 206) Sculpture IV (Asist. Prof. Arzu ATIL)
The problematics of creating forms in sculpture is analyzed with studies of conventional and contemporary tecniques by animate model and original works.
(HEY 203) Drawing I (Asist. Prof. Sevgi AVCI)
This class aimed at improving the abilities of vision and creating constitutes the expressive qualities of line are discovered. Various processes are tried from works and organic / inorganic objects using charcoal pencil.
(HEY 204) Drawing II (Asist. Prof. Sevgi AVCI)
This class aimed at improving the abilities of vision and creating constitutes the expressive qualities of line are discovered. Various processes are tried from works naked model by using tecniques as charcoal and ink
(HEY 207) Tecniques of Wooden - Stone Sculpture (Asist. Prof. Gökçen ERGÜR)
By focusing on the conventional elements of sculpture as wood and stone, the nature of these elements, methods of creating forms are discuussed by practices.
(HEY 208) Techniques of Metal Sculpture (Asist. Prof. Gökçen ERGÜR)
In this course the tecnique and methods of using metals and their properties are discussed by analyzing examples and works created in workshops.
(TEM 215 6) General History Of Art II (Lecturer Mehmet KAHYAOÄ?LU)
The content of the course covers the Western Art from Early Christianity until the end of the Renaissance and also Islamic and Turkish-Islamic art from its birth until the beginning of the Classical Ottoman Era
(TEM 217) Mithology (Lecturer UÄ?ursal Å?ARK)
The observation and discussion of mythologies in the context of meaning, sacredness and patterns of behaviors
(TEM 218) Iconology (Lecturer UÄ?ursal Å?ARK)
The analysis of interrelations between scripts and visual arts and the discussion of formal readings
(TEM 233. 4) Art Psychology (Asist. Prof. Mehmet KOÅ?TUMOÄ?LU )
This course covers perception, cognition and characteristics of art and its production. Generally speaking art psychology was at odds with the principles of Freudian psychoanalysis. For this reason in the second part of this course we will reflect on the beginning of Art Psychoanalysis, Freud, Fromm and Jung’s theories on the psyche. Some of the courses we look into procreative dynamics for children and adults and colour psychology and psychopathologic art.
III. YEAR
(HEY 305) Sculpture V (Asist. Prof. Gökçen ERGÜR)
The methods of form creating, possibilities of composition and expression are discussed by studies from models and reproductions using conventional and contemporary tecniques.
(HEY 306) Sculpture VI (Asist. Prof. Gökçen ERGÜR)
The methods of form creating, possibilities of composition and expression are discussed by studies from models and reproductions using conventional and contemporary tecniques.
(HEY 307) Casting Techniques (Asist. Prof. Arzu ATIL)
The tecniques of casting are shown by practices in bronzary workshops and the elements used in this process are analyzed.
(HEY 303) Drawing III (Asist. Prof. Sevgi AVCI)
This course aims to develop the ability to analyze a form from the model and the ways of expressing it. The student are to study by their choice of tecniques on movements and compositions of human body.
(HEY 304) Drawing IV (Asist. Prof. Sevgi AVCI)
This course aims to develop the ability to analyze a form from the model and the ways of expressing it. The student are to study by their choice of tecniques on movements and compositions of human body and creating original expressions.
(TEM 315. 6) General History Of Art III (Lecturer Yalçın MERGEN)
15. - 16. centuries and Enlightenment, art movements after the Enlightenment Manieri di Michel Angelo, Baroc, Roccoco, 18. Century philosophy and Romanticism, Otoman culture life and Otoman art between 16. and 19. centuries, Art through the modern ages. Effects of the Industrial Revolution to the Western social life and changing of the Western Art. New art movements, connections at the end of the 19. Century and at the beginning new century. Impressionism, Neo Classism, Expressionism, Ottoman Art between 19. and 20. centuries, Modernity and Modernism, Modern arts and terminological problems of art and art history, Modern and Contemporary Art movements.
(TEM 321. 2) Philosophy Of Art (Asist. Prof Dr. Hakkı HÜNLER)
Starting with the Philosophy of Art, the elaboration of the historical and philosophical development of the concepts of art, aesthetics, sensuality, perception, reception etc.
(TEM 327. 8) Analysis of Work Of Art (Lecturer UÄ?ursal Å?ARK)
The analysis of Work of art and practices by means of various art history methods
IV. YEAR
(HEY 405) Sculpture VII (Asist. Prof. Oktay Å?AHİNLER)
The problematics of the medium is discussed focusing on originality by working on the tecniques and materials of the students’ choice.
(HEY 406) Sculpture VIII (Asist. Prof. Oktay Å?AHİNLER )
By analyzing the concepts and materials used on studies of student’s choice the problematics of expression, themes and forming is discussed.
(TEM 406) Sosyology of Art (Lecturer Hüsamettin ÇETİNKAYA)
Classical Theoretical Foundations of Social Sciences and Modern Arts in Western Societies
The course is aimed in analysis of theoretical discourses which formatted field of social sciences and arts in 18th – 20th centuries and remain patterns of reasoning and points of reference for current social studies. The general aim of the course is to provide students with knowledge of the historical development and conceptual legacies of modern social sciences & arts and to foster students’ analytical skills.
(TEM 405) Technical Drawing and Perspective (Lecturer AyÅ?e ÇETİN )
The content of the lesson: Since the drawing is the way of expressing in plastic arts, within the lessons of Technical drawing and Perspective the types of lines, where the lines are used or not used, the techniques of drawing, geometrical drawings and the drawings of different objects are made by using “rapido” pen. Later on perspective and its types are elaborated and the given objects are presented in three dimensions.
(HEY 413) Contemporary Turkish Sculpture I (Lecturer UÄ?ursal Å?ARK)
Analyzing and classifying the typologies of Turkish sculpture by comparison with other disciplines in the course of Republic history
(HEY 414) Contemporary Turkish Sculpture II (Lecturer UÄ?ursal Å?ARK)
The discussion of the qualities of Turkish sculpture by observing practices and artists within universal contexts
(HEY 417) Sculpture and Environment I (Asist. Prof. Oktay Å?AHİNLER)
New scale models are produced by analyzing the relations of sculpture and surrounding environments focusin on visual and cultural changes.
(HEY 418) Sculpture and Environment II (Asist. Prof. Oktay Å?AHİNLER)
New scale models are produced by analyzing the relations of sculpture and surrounding environments focusin on visual and cultural changes.
(HEY 460 Thesis (Asist. Prof. Oktay Å?AHİNLER, Asist. Prof. Gökçen ERGÜR, Asist. Prof. Sevgi AVCI, Asist. Prof. Arzu ATIL)
A thesis is studied by directions from consultants. The study is expected to reflect the theorical and practical knowledge accumulation of academical studies of the past four years. The thesis can be studied theorically and practically.